1
00:00:03,804 --> 00:00:05,439
MY GOD, JOHN.

2
00:00:08,542 --> 00:00:10,111
LOOK AT YOU.

3
00:00:24,358 --> 00:00:26,927
I JUST TALKED
TO YOUR DOCTORS.

4
00:00:26,927 --> 00:00:28,462
YOU'RE DYING.

5
00:00:29,830 --> 00:00:31,265
I WANT YOU TO ADMIT

6
00:00:31,265 --> 00:00:33,000
WHAT YOU DID, JOHN.

7
00:00:33,000 --> 00:00:35,136
I WANT YOU
TO ADMIT WHAT YOU ARE.

8
00:00:44,845 --> 00:00:49,550
SHAUNA GAGE,
KRISTIN HARTLEY,

9
00:00:49,550 --> 00:00:50,851
FRANCINE BICKFORD,

10
00:00:50,851 --> 00:00:52,753
ANNE MARIE MAYS.

11
00:00:57,658 --> 00:00:59,760
I WANT YOU TO SAY
THAT YOU DID IT, JOHN.

12
00:00:59,760 --> 00:01:02,430
I WANT YOU TO SAY IT TO ME.

13
00:01:02,430 --> 00:01:05,699
I'M THE ONLY ONE WHO STILL
CARES ABOUT WHAT YOU DID.

14
00:01:05,699 --> 00:01:07,668
THE POLICE--THEY STOPPED
INVESTIGATING THESE MURDERS

15
00:01:07,668 --> 00:01:09,069
YEARS AGO.

16
00:01:09,069 --> 00:01:11,372
LOOK AT YOU, JOHN.

17
00:01:11,372 --> 00:01:14,208
THEY CAN'T PUT YOU
IN PRISON NOW.

18
00:01:14,208 --> 00:01:16,043
YOU BEAT US ALL.

19
00:01:16,043 --> 00:01:18,212
YOU GOT AWAY WITH IT.

20
00:01:18,212 --> 00:01:21,249
DON'T YOU WANT TO TAKE
THE CREDIT FOR THAT?

21
00:01:23,584 --> 00:01:25,353
C-CIGARETTE?

22
00:01:37,598 --> 00:01:38,566
[LIGHTER CLICKS]

23
00:01:47,074 --> 00:01:49,210
[INHALING]

24
00:01:54,014 --> 00:01:56,250
[MOANING SOFTLY]

25
00:02:00,788 --> 00:02:04,358
NOW TELL ME.

26
00:02:04,358 --> 00:02:06,560
YOU DID IT, DIDN'T YOU?

27
00:02:20,107 --> 00:02:21,575
NO.

28
00:02:27,114 --> 00:02:29,116
YOU'RE LYING.

29
00:02:29,116 --> 00:02:30,451
WAKE UP.

30
00:02:30,451 --> 00:02:33,287
COME ON. WAKE UP
AND ADMIT YOU DID IT!

31
00:02:33,287 --> 00:02:35,956
ADMIT IT WAS YOU, YOU
BASTARD! ADMIT IT WAS YOU!

32
00:02:35,956 --> 00:02:37,291
Man: TAKE IT EASY!

33
00:02:37,291 --> 00:02:39,293
ADMIT IT WAS YOU,
YOU BASTARD!

34
00:02:39,293 --> 00:02:41,829
ADMIT IT WAS YOU! ADMIT IT!

35
00:02:41,829 --> 00:02:44,131
ADMIT IT!

36
00:02:44,131 --> 00:02:45,433
ADMIT...

37
00:03:34,014 --> 00:03:35,883
STAR, PYRAMID,
FISH, ARROW, HAND.

38
00:03:35,883 --> 00:03:40,187
PERFECT. HOW ABOUT THAT?

39
00:03:40,187 --> 00:03:43,357
ARROW, FISH,
HAND, STAR, PYRAMID.

40
00:03:43,357 --> 00:03:44,792
EXCELLENT.

41
00:03:44,792 --> 00:03:47,060
BUT I DON'T UNDERSTAND.
HOW IS THAT REHAB?

42
00:03:47,060 --> 00:03:50,364
I MEAN, ANYONE CAN READ FLASH
CARDS WITHOUT WORDS ON THEM.

43
00:03:50,364 --> 00:03:52,333
Ariel: NO, SEE,
YOU'RE WRONG, OK?

44
00:03:52,333 --> 00:03:53,834
WHEN PEOPLE GO THROUGH
SOMETHING LIKE MOM,

45
00:03:53,834 --> 00:03:56,036
WHEN THEY'RE IN A COMA
FOR A WHILE,

46
00:03:56,036 --> 00:03:58,372
SOMETIMES THEY MESS UP
THE WAY THEY SEE THINGS.

47
00:03:58,372 --> 00:03:59,873
SO IT'S IMPORTANT FOR
MOM TO DO HER DRILLS,

48
00:03:59,873 --> 00:04:02,510
SO THAT WE KNOW
THAT MOM'S HEAD

49
00:04:02,510 --> 00:04:03,844
IS WORKING RIGHT.

50
00:04:03,844 --> 00:04:05,446
ACTUALLY, THE OFFICIAL
TERM FOR WHAT YOUR MOM IS

51
00:04:05,446 --> 00:04:06,847
DOING IS COGNITIVE THERAPY.

52
00:04:06,847 --> 00:04:11,051
WHEN SHE DOES IT, WHICH
IS NOT OFTEN ENOUGH.

53
00:04:11,051 --> 00:04:14,388
I'M FINE. MY COGNITIVE
SKILLS ARE EXCELLENT.

54
00:04:14,388 --> 00:04:16,056
WHEN IT COMES TO SEEING
STARS, FISH, AND ARROWS,

55
00:04:16,056 --> 00:04:18,426
I'M AT THE TOP OF MY GAME.

56
00:04:18,426 --> 00:04:20,060
HOW ABOUT WE LET
THE FOLKS AT REHAB

57
00:04:20,060 --> 00:04:21,462
DECIDE THAT?

58
00:04:21,462 --> 00:04:24,632
YOU LOOK NICE, DADDY.

59
00:04:24,632 --> 00:04:26,199
THANK YOU.

60
00:04:26,199 --> 00:04:29,269
HERE'S HOPING THE GOOD PEOPLE
AT BURROUGHS-STRAUSS AGREE.

61
00:04:29,269 --> 00:04:30,871
NOW, WAIT A SECOND.

62
00:04:30,871 --> 00:04:32,540
DIDN'T YOU ALREADY
DRESS UP AND GO THERE?

63
00:04:32,540 --> 00:04:35,643
GOOD MEMORY. EXCELLENT
COGNITION, BRIDGE.

64
00:04:35,643 --> 00:04:38,412
YES, INDEED. I HAD
A GOOD FIRST MEETING THERE,

65
00:04:38,412 --> 00:04:39,880
AND TODAY IS THE BIG DAY

66
00:04:39,880 --> 00:04:42,583
BECAUSE TODAY I MEET THE GUY
WHO RUNS THE DEPARTMENT,

67
00:04:42,583 --> 00:04:45,486
AND IF EVERYTHING GOES WELL
WITH HIM AND I IMPRESS HIM,

68
00:04:45,486 --> 00:04:48,756
WELL, THEN I MAY BE DONE
WITH DRESSING UP

69
00:04:48,756 --> 00:04:51,859
AND INTERVIEWING FOR A WHILE,
MAYBE EVEN FOREVER.

70
00:04:51,859 --> 00:04:52,926
[JOE CHUCKLES]

71
00:04:52,926 --> 00:04:54,528
HEY, YOU KNOW WHAT, WE
GOT TO GET A MOVE ON.

72
00:04:54,528 --> 00:04:56,163
I GOT TO BE AT THERAPY
IN 45 MINUTES.

73
00:04:56,163 --> 00:04:57,831
MOMMY, DID YOU SIGN
MY THING?

74
00:04:57,831 --> 00:05:00,133
OH, RIGHT.
THE PERMISSION SLIP

75
00:05:00,133 --> 00:05:02,370
FOR THAT FIELD TRIP
NEXT WEEK.

76
00:05:02,370 --> 00:05:05,439
I JUST HAVE TO REMEMBER
WHERE I PUT IT.

77
00:05:05,439 --> 00:05:10,611
YOU CAN'T REMEMBER WHERE
YOU PUT THAT THING?

78
00:05:10,611 --> 00:05:12,346
HEY, YOU KNOW WHAT?

79
00:05:12,346 --> 00:05:14,081
I'M GONNA MAKE MY
OWN PERMISSION SLIP.

80
00:05:14,081 --> 00:05:16,283
I'M GONNA MAKE A NOTE
FOR YOUR TEACHER,

81
00:05:16,283 --> 00:05:18,386
AND IF SHE HAS
ANY PROBLEMS,

82
00:05:18,386 --> 00:05:20,120
SHE CAN CALL ME, OK?

83
00:05:20,120 --> 00:05:22,222
Marie: OK, MOMMY.

84
00:05:22,222 --> 00:05:24,625
DOLLAR SIGN, TRIANGLE,
HAMMER, HOUSE,

85
00:05:24,625 --> 00:05:26,627
AND THAT LAST ONE,
I DON'T KNOW

86
00:05:26,627 --> 00:05:28,596
WHAT YOU WOULD
CALL IT--LOOKS...

87
00:05:28,596 --> 00:05:30,998
KIND OF LIKE A TUNNEL.

88
00:05:30,998 --> 00:05:32,633
A TUNNEL? REALLY?

89
00:05:32,633 --> 00:05:34,368
ARE YOU SURE YOU DON'T
WANT TO TAKE

90
00:05:34,368 --> 00:05:35,936
ANOTHER LOOK?

91
00:05:37,304 --> 00:05:40,674
I'M SORRY. IT'S A TREE.

92
00:05:40,674 --> 00:05:42,643
THAT'S SO WEIRD. THE FIRST
TIME I LOOKED AT IT...

93
00:05:42,643 --> 00:05:44,478
I WOULDN'T WORRY
ABOUT IT, ALLISON.

94
00:05:44,478 --> 00:05:45,946
IT'S REALLY COMMON
FOR SOMEONE RECOVERING

95
00:05:45,946 --> 00:05:48,148
FROM A STROKE TO HAVE
LAPSES IN MEMORY,

96
00:05:48,148 --> 00:05:50,150
GAPS IN PERCEPTION.

97
00:05:50,150 --> 00:05:53,654
WE CALL IT
EXPRESSIVE APHASIA.

98
00:05:53,654 --> 00:05:55,322
THE FLASH CARD EXERCISES
JUST WORK THE MUSCLE,

99
00:05:55,322 --> 00:05:57,558
KEEP IT FROM
GETTING TOO SERIOUS.

100
00:05:57,558 --> 00:06:00,494
BUT MY STROKE WAS MONTHS
AGO. I'VE BEEN FINE.

101
00:06:00,494 --> 00:06:03,330
I HAVEN'T HAD ANY
PERCEPTION PROBLEMS BEFORE.

102
00:06:03,330 --> 00:06:05,132
THESE THINGS
COME AND GO.

103
00:06:05,132 --> 00:06:07,034
THE ONE THING THAT
REALLY HELPS

104
00:06:07,034 --> 00:06:08,602
IS PRACTICE.

105
00:06:08,602 --> 00:06:10,538
HAVE YOU BEEN USING
YOUR CARDS AT HOME?

106
00:06:10,538 --> 00:06:12,906
WELL, I DID LOOK
AT THEM THIS MORNING.

107
00:06:12,906 --> 00:06:15,676
HUH. IT PROBABLY
WOULDN'T HURT FOR YOU

108
00:06:15,676 --> 00:06:17,945
TO BE A LITTLE
MORE DISCIPLINED.

109
00:06:17,945 --> 00:06:19,179
[LAUGHS WEAKLY]

110
00:06:19,179 --> 00:06:20,581
OK.

111
00:06:35,796 --> 00:06:38,031
Man: SOMEONE'S GOT
FLASH CARD ANXIETY.

112
00:06:39,533 --> 00:06:43,471
SORRY. I COULDN'T
HELP MYSELF.

113
00:06:43,471 --> 00:06:45,372
I WAS WATCHING YOU.

114
00:06:45,372 --> 00:06:47,074
IT'S THAT OBVIOUS, HUH?

115
00:06:47,074 --> 00:06:48,709
WELL, FOR ME IT IS.

116
00:06:48,709 --> 00:06:50,844
BUT I'VE BEEN PLAYING WITH
THOSE CARDS FOR YEARS.

117
00:06:52,379 --> 00:06:54,548
YOU WANT A LITTLE TIP?

118
00:06:54,548 --> 00:06:58,719
TRY READING THEM
FROM RIGHT TO LEFT.

119
00:06:58,719 --> 00:07:01,188
YEAH. I KNOW
IT SOUNDS STUPID,

120
00:07:01,188 --> 00:07:03,691
BUT THERE'S SOMETHING ABOUT
READING THEM BACKWARDS

121
00:07:03,691 --> 00:07:06,727
THAT FORCES YOUR BRAIN
TO PAY ATTENTION.

122
00:07:06,727 --> 00:07:07,561
HMM.

123
00:07:07,561 --> 00:07:09,697
AT LEAST IT WORKS FOR ME.

124
00:07:09,697 --> 00:07:11,665
WELL, THANKS.
I'LL TRY THAT.

125
00:07:11,665 --> 00:07:14,902
MY NAME'S NEAL,
BY THE WAY.

126
00:07:14,902 --> 00:07:17,037
I'M A VETERAN OF
MORE COGNITIVE THERAPY

127
00:07:17,037 --> 00:07:19,473
THAN YOU'D EVER CARE
TO REMEMBER.

128
00:07:19,473 --> 00:07:22,710
MY NAME'S ALLISON,
ALLISON DUBOIS.

129
00:07:22,710 --> 00:07:25,713
UM...YOU SAID
THAT YOU'D HAD

130
00:07:25,713 --> 00:07:27,247
A LOT OF THERAPY.

131
00:07:27,247 --> 00:07:31,251
DO YOU MIND IF I ASK YOU
WHAT HAPPENED TO YOU?

132
00:07:31,251 --> 00:07:32,953
I GOT MUGGED.

133
00:07:32,953 --> 00:07:38,425
THE GUY SHOT ME, LEFT ME
TO BLEED IN THE STREET.

134
00:07:38,425 --> 00:07:42,395
HAD SOME BRAIN
IMPAIRMENT.

135
00:07:42,395 --> 00:07:44,064
OH, MY GOD.
I'M SO SORRY.

136
00:07:44,064 --> 00:07:45,165
THANKS.

137
00:07:45,165 --> 00:07:47,968
WHEREVER THE GUY IS,
I HOPE HE HAD A GOOD TIME

138
00:07:47,968 --> 00:07:50,538
WITH THE $22
HE TOOK FROM ME.

139
00:07:50,538 --> 00:07:52,439
THEY NEVER FOUND THE MAN
WHO DID THIS TO YOU?

140
00:07:52,439 --> 00:07:54,241
NO.

141
00:07:54,241 --> 00:07:55,609
[RINGTONE PLAYS]

142
00:07:55,609 --> 00:07:58,411
OH. FORGIVE ME.

143
00:07:58,411 --> 00:07:59,713
[RING]

144
00:07:59,713 --> 00:08:00,881
OH, IT'S
A WORK CALL.

145
00:08:00,881 --> 00:08:04,251
REMEMBER, TRY
TO READ THEM BACKWARDS.

146
00:08:04,251 --> 00:08:06,453
HELLO?

147
00:08:06,453 --> 00:08:08,088
SORRY TO BOTHER YOU
ON YOUR DAY OFF,

148
00:08:08,088 --> 00:08:11,258
BUT I WAS HOPING MAYBE YOU
COULD MEET ME AT THE MORGUE.

149
00:08:11,258 --> 00:08:13,727
THE GIRL'S NAME IS
CATHERINE TALLRIDGE.

150
00:08:13,727 --> 00:08:15,863
MY BEST GUESS IS AT
ABOUT 1:00 LAST NIGHT,

151
00:08:15,863 --> 00:08:17,631
SOMEONE CAME UP
THE FIRE ESCAPE,

152
00:08:17,631 --> 00:08:19,533
BROKE INTO HER PLACE
THROUGH A WINDOW,

153
00:08:19,533 --> 00:08:22,469
STRANGLED HER, THEN LEFT
THE WAY HE CAME.

154
00:08:22,469 --> 00:08:24,638
HOW CAN YOU BE SO SURE
IT WAS AROUND 1:00?

155
00:08:24,638 --> 00:08:26,473
ONE OF THE NEIGHBORS
HEARD A COMMOTION

156
00:08:26,473 --> 00:08:27,975
COMING FROM THE PLACE.

157
00:08:27,975 --> 00:08:29,643
HE EVEN CALLED IN
A NOISE COMPLAINT.

158
00:08:29,643 --> 00:08:31,178
BY THE TIME
THE SQUAD CAR GOT THERE,

159
00:08:31,178 --> 00:08:34,548
EVERYTHING WAS QUIET. NO
ONE ANSWERED THE DOOR.

160
00:08:34,548 --> 00:08:35,883
THE ROOMMATE GOT BACK
FROM SLEEPING

161
00:08:35,883 --> 00:08:37,250
OVER AT HER
FRIEND'S PLACE.

162
00:08:39,486 --> 00:08:41,121
FOUND HER LIKE THAT.

163
00:08:43,023 --> 00:08:47,127
YOU HAVE ANY IDEA WHAT THAT
SYMBOL ON HER HEAD MEANS?

164
00:08:47,127 --> 00:08:48,796
SYMBOL?

165
00:08:52,833 --> 00:08:54,501
OBVIOUSLY, MY MOST
RECENT EXPERIENCE IS

166
00:08:54,501 --> 00:08:56,336
WITH SOLAR CELLS.

167
00:08:56,336 --> 00:08:58,505
[CRUNCHING LOUDLY]

168
00:08:58,505 --> 00:09:01,341
I KNOW IT'S NOT
A PERFECT FIT

169
00:09:01,341 --> 00:09:03,076
FOR, YOU KNOW,
WHAT YOU DO HERE,

170
00:09:03,076 --> 00:09:04,678
BUT I FIGURE THERE
ARE SOME PARALLELS

171
00:09:04,678 --> 00:09:06,546
THAT MAKE ME A GOOD
CANDIDATE.

172
00:09:09,049 --> 00:09:11,118
SOLAR, HUH?

173
00:09:11,118 --> 00:09:12,152
YEAH.

174
00:09:12,152 --> 00:09:14,021
I STARTED A COMPANY.
I SOLD IT LAST YEAR.

175
00:09:14,021 --> 00:09:15,889
DID YOUR HUMAN
RESOURCES DEPARTMENT

176
00:09:15,889 --> 00:09:17,557
NOT SEND YOU DOWN
A RESUME?

177
00:09:19,860 --> 00:09:24,564
YEAH, I THINK THAT THEY
PROBABLY SENT ME SOMETHING.

178
00:09:24,564 --> 00:09:27,534
WELL, MY TEAM AND I
WERE PROJECTING

179
00:09:27,534 --> 00:09:30,037
SALES FOR THE COMPANY.

180
00:09:30,037 --> 00:09:32,005
UH, WE DI--

181
00:09:32,005 --> 00:09:33,540
WE DID A LOT OF RESEARCH
INTO BIOFUELS

182
00:09:33,540 --> 00:09:35,575
BECAUSE WE FIGURED
THEY'D BE--

183
00:09:35,575 --> 00:09:37,845
OUR BIGGEST COMPETITOR
IN 10 YEARS OR SO.

184
00:09:37,845 --> 00:09:39,713
[COMPUTER BEEPS]
OH. SORRY.

185
00:09:39,713 --> 00:09:42,249
I'VE JUST GOT TO TAKE
A LOOK AT THIS REAL QUICK.

186
00:09:42,249 --> 00:09:44,151
I'M LISTENING, THOUGH.

187
00:09:44,151 --> 00:09:45,886
OH, YEAH. SO SOME
OF THE RESEARCH

188
00:09:45,886 --> 00:09:47,554
AND SOME OF THE
READING THAT I DID

189
00:09:47,554 --> 00:09:49,056
MADE ME WISH
THAT I WAS WORKING

190
00:09:49,056 --> 00:09:50,557
IN THE FIELD, SO, YOU
KNOW, I'D LOVE TO...

191
00:09:50,557 --> 00:09:53,627
TO--TO...TO...JUST--

192
00:09:53,627 --> 00:09:56,096
DIVE IN WITH YOU.

193
00:09:56,096 --> 00:09:59,432
[ALARM DISARMED]

194
00:09:59,432 --> 00:10:03,270
[CELL PHONE RINGING]

195
00:10:03,270 --> 00:10:06,206
HELLO? OH, HEY, DREW.

196
00:10:06,206 --> 00:10:08,575
UM, NO, NO.
IT'S GOOD TIMING.

197
00:10:08,575 --> 00:10:10,744
I JUST GOT DONE
WITH THE INTERVIEW.

198
00:10:10,744 --> 00:10:12,212
UH, LISTEN,
I APPRECIATE YOU...

199
00:10:12,212 --> 00:10:13,947
APPRECIATE YOU SETTING
IT UP AND EVERYTHING,

200
00:10:13,947 --> 00:10:16,717
BUT I DON'T THINK
IT WENT VERY WELL. UH...

201
00:10:18,118 --> 00:10:20,921
WHAT DO YOU MEAN,
THE GUY LOVED ME?

202
00:10:20,921 --> 00:10:22,589
MY GOD, JOE.
THAT'S FANTASTIC!

203
00:10:22,589 --> 00:10:24,591
WHEN ARE YOU
SUPPOSED TO START?

204
00:10:24,591 --> 00:10:26,426
HUMAN RESOURCES TOLD
DREW I COULD START

205
00:10:26,426 --> 00:10:28,128
WHENEVER I'M READY.

206
00:10:28,128 --> 00:10:31,231
I'M NOT WORKING, SO I
TOLD HIM I'M READY NOW.

207
00:10:31,231 --> 00:10:32,866
I GUESS AS OF TOMORROW,
THERE'S GONNA BE

208
00:10:32,866 --> 00:10:34,935
TWO STEADY PAYCHECKS
COMING IN THE HOUSE.

209
00:10:34,935 --> 00:10:37,104
YOU GUESS?
YOU DON'T SOUND HAPPY.

210
00:10:37,104 --> 00:10:38,906
I THOUGHT YOU
REALLY WANTED THIS.

211
00:10:38,906 --> 00:10:41,408
NO, I--I DO. I DO.
I JUST...

212
00:10:41,408 --> 00:10:43,443
I THOUGHT I COMPLETELY
SCREWED THE INTERVIEW.

213
00:10:43,443 --> 00:10:45,078
I THOUGHT
THE GUY HATED ME,

214
00:10:45,078 --> 00:10:46,780
AND THEN THEY
OFFERED ME THE JOB

215
00:10:46,780 --> 00:10:48,248
BEFORE I COULD EVEN
DRIVE OFF THE PROPERTY.

216
00:10:48,248 --> 00:10:51,785
YOU KNOW WHAT THAT MEANS.
YOU'RE JUST THAT GOOD.

217
00:10:51,785 --> 00:10:53,420
HONEY, HOLD ON A SECOND.

218
00:10:53,420 --> 00:10:56,757
I'M NOT PAYING ATTENTION
WHERE I'M GOING.

219
00:11:02,095 --> 00:11:05,032
HEY, AL, YOU THERE?
DID I LOSE YOU?

220
00:11:09,937 --> 00:11:13,240
[CAR HORN HONKING,
BRAKES SQUEAL]

221
00:11:16,744 --> 00:11:18,645
AL, YOU ALL RIGHT?

222
00:11:18,645 --> 00:11:21,715
UM, YEAH, HONEY--

223
00:11:26,653 --> 00:11:28,288
I'M FINE.
LET ME CALL YOU BACK.

224
00:12:10,697 --> 00:12:13,366
ADMIT IT WAS YOU,
YOU BASTARD!

225
00:12:13,366 --> 00:12:14,935
ADMIT IT WAS YOU!

226
00:12:25,145 --> 00:12:27,981
Lance Pauling: I HAD BEEN
PURSUING THE LIBRA FOR 10 YEARS.

227
00:12:27,981 --> 00:12:30,918
IT BECAME AN OBSESSION
THAT COST ME MY CAREER

228
00:12:30,918 --> 00:12:32,552
AND MY MARRIAGE.

229
00:12:32,552 --> 00:12:35,588
AND SO, WHEN I WENT
TO VISIT JOHN DAVID BOATNER

230
00:12:35,588 --> 00:12:37,190
IN THE HOSPICE WHERE
HE LAY DYING,

231
00:12:37,190 --> 00:12:40,093
WHEN HE FINALLY ADMITTED
THAT HE WAS THE LIBRA,

232
00:12:40,093 --> 00:12:44,364
IT WAS, IN AN ODD WAY,
THE MOST INTIMATE MOMENT

233
00:12:44,364 --> 00:12:48,568
OF MY LIFE, AND, I SUSPECT,
IT WAS THE MOST INTIMATE MOMENT

234
00:12:48,568 --> 00:12:50,270
OF HIS LIFE.

235
00:12:50,270 --> 00:12:53,406
THANK YOU.

236
00:12:56,276 --> 00:12:57,945
THERE YOU GO.

237
00:12:57,945 --> 00:13:00,247
HI.
OH!

238
00:13:00,247 --> 00:13:02,315
SHOULD I MAKE IT OUT
TO SOMEONE IN PARTICULAR?

239
00:13:02,315 --> 00:13:04,051
ACTUALLY, IF YOU'VE
GOT A MINUTE,

240
00:13:04,051 --> 00:13:05,552
CAN I ASK YOU
A QUESTION?

241
00:13:05,552 --> 00:13:06,753
SURE.

242
00:13:06,753 --> 00:13:08,088
WELL, WHEN THIS
WAS ALL GOING ON,

243
00:13:08,088 --> 00:13:10,924
WHEN THE LIBRA SLAYER
WAS ORIGINALLY MURDERING

244
00:13:10,924 --> 00:13:12,392
YOUNG WOMEN, I'D
JUST GIVEN BIRTH TO

245
00:13:12,392 --> 00:13:14,261
MY SECOND DAUGHTER, AND
I WAS IN THE HOSPITAL.

246
00:13:14,261 --> 00:13:15,896
I REALLY WASN'T PAYING
MUCH ATTENTION

247
00:13:15,896 --> 00:13:17,597
TO THE PAPERS.

248
00:13:17,597 --> 00:13:19,933
WERE THESE
THE SORT OF LETTERS

249
00:13:19,933 --> 00:13:22,870
THAT HE WOULD
SEND THE POLICE?

250
00:13:22,870 --> 00:13:25,305
HE USED A DIFFERENT CODE
FOR EACH MURDER.

251
00:13:25,305 --> 00:13:27,274
AND WHAT IS THIS?

252
00:13:27,274 --> 00:13:29,109
THAT'S THE SIGN OF
THE LIBRA.

253
00:13:29,109 --> 00:13:30,777
I GUESS YOU COULD CALL
IT HIS SIGNATURE.

254
00:13:30,777 --> 00:13:32,412
HE CARVED IT INTO EACH
ONE OF HIS VICTIMS.

255
00:13:34,114 --> 00:13:35,782
AND IS THIS THE MAN

256
00:13:35,782 --> 00:13:37,717
THAT YOU THINK WAS
THE LIBRA SLAYER?

257
00:13:37,717 --> 00:13:40,220
I DON'T THINK
JOHN DAVID BOATNER

258
00:13:40,220 --> 00:13:42,890
WAS THE LIBRA SLAYER.
I KNOW IT.

259
00:13:42,890 --> 00:13:45,125
ARE YOU SURE?

260
00:13:45,125 --> 00:13:46,927
WEREN'T THERE
ANY OTHER SUSPECTS?

261
00:13:46,927 --> 00:13:48,228
I'M POSITIVE.

262
00:13:48,228 --> 00:13:49,997
I'VE WRITTEN 3 BOOKS
ON THE SUBJECT,

263
00:13:49,997 --> 00:13:51,831
AND I PERSONALLY COLLECTED
REAMS OF EVIDENCE.

264
00:13:51,831 --> 00:13:54,234
PLUS, HE TOLD ME HE DID IT.

265
00:13:54,234 --> 00:13:57,204
WHEN I WENT TO VISIT HIM
RIGHT BEFORE HE DIED,

266
00:13:57,204 --> 00:13:59,806
I TOLD HIM IF HE DIDN'T ADMIT
THAT HE WAS THE LIBRA SLAYER,

267
00:13:59,806 --> 00:14:02,142
THEN NO ONE WOULD EVER KNOW
HE'D BEATEN THE POLICE.

268
00:14:02,142 --> 00:14:04,044
HE TOLD YOU HE
DIDN'T DO IT.

269
00:14:06,813 --> 00:14:08,315
YOU GAVE HIM
A CIGARETTE.

270
00:14:08,315 --> 00:14:10,650
HE TOLD YOU HE WAS
NOT THE MURDERER.

271
00:14:10,650 --> 00:14:12,085
LOOK, I KNOW
YOU SPENT YEARS

272
00:14:12,085 --> 00:14:13,386
BELIEVING IT
WAS HIM.

273
00:14:13,386 --> 00:14:15,455
I CAN KIND OF UNDERSTAND
WHY YOU WOULD LIE

274
00:14:15,455 --> 00:14:17,457
ABOUT WHAT HAPPENED
IN THE HOSPICE,

275
00:14:17,457 --> 00:14:20,060
BUT I THINK YOU'RE WRONG
ABOUT BOATNER.

276
00:14:20,060 --> 00:14:22,229
A YOUNG WOMAN DIED
LAST NIGHT.

277
00:14:22,229 --> 00:14:24,464
I THINK SHE WAS MURDERED
BY THE SAME PERSON

278
00:14:24,464 --> 00:14:26,967
WHO COMMITTED THE
ORIGINAL LIBRA SLAYINGS.

279
00:14:26,967 --> 00:14:31,204
I THINK HE'S BACK.

280
00:14:34,975 --> 00:14:36,343
OK, LET'S
SAY YOU'RE RIGHT.

281
00:14:36,343 --> 00:14:38,178
LET'S SAY THAT
JOHN DAVID BOATNER

282
00:14:38,178 --> 00:14:40,914
DIDN'T CONFESS
ON HIS DEATHBED.

283
00:14:40,914 --> 00:14:42,515
THAT DOESN'T
NECESSARILY MEAN

284
00:14:42,515 --> 00:14:44,017
HE WASN'T THE KILLER.

285
00:14:44,017 --> 00:14:45,485
I MEAN,
IN MY EXPERIENCE,

286
00:14:45,485 --> 00:14:47,354
SERIAL MURDER
AND A DEEP-SEATED SENSE

287
00:14:47,354 --> 00:14:49,856
OF HONESTY RARELY
GO HAND IN HAND.

288
00:14:49,856 --> 00:14:51,558
YEAH, BUT THERE'S
A REASON THE POLICE

289
00:14:51,558 --> 00:14:54,127
NEVER ARRESTED BOATNER
FOR THE LIBRA'S KILLINGS.

290
00:14:54,127 --> 00:14:56,296
THEY NEVER HAD
ENOUGH EVIDENCE.

291
00:14:56,296 --> 00:14:57,830
I'VE BEEN RESEARCHING THIS.

292
00:14:57,830 --> 00:15:00,133
IN FACT, THERE'S A FAIR
AMOUNT OF EVIDENCE TO SUGGEST

293
00:15:00,133 --> 00:15:01,868
HE WASN'T THE KILLER.

294
00:15:01,868 --> 00:15:04,404
THEY WERE NEVER ABLE
TO CONCLUSIVELY PROVE

295
00:15:04,404 --> 00:15:06,039
THAT HIS HANDWRITING
WAS A MATCH

296
00:15:06,039 --> 00:15:07,440
FOR ANY OF
THE LIBRA'S NOTES.

297
00:15:07,440 --> 00:15:09,042
THERE WAS NEVER
ANY PHYSICAL EVIDENCE

298
00:15:09,042 --> 00:15:10,810
TO TIE HIM TO ANY OF
THE CRIME SCENES.

299
00:15:10,810 --> 00:15:12,212
WELL, EVEN
IF ALL THAT'S TRUE--

300
00:15:12,212 --> 00:15:14,214
EVEN IF JOHN DAVID
BOATNER IS INNOCENT,

301
00:15:14,214 --> 00:15:16,149
I DON'T SEE ANYTHING
THAT INDICATES

302
00:15:16,149 --> 00:15:18,818
THAT THE LIBRA KILLED
CATHERINE TALLRIDGE.

303
00:15:18,818 --> 00:15:21,921
HE WAS FLAMBOYANT,
A GAME-PLAYER,

304
00:15:21,921 --> 00:15:24,891
TAUNTING THE POLICE
WITH CRYPTOGRAMS,

305
00:15:24,891 --> 00:15:26,759
CARVING HIS SIGNATURE
INTO THE FOREHEADS

306
00:15:26,759 --> 00:15:28,061
OF HIS VICTIMS.

307
00:15:28,061 --> 00:15:30,063
HE TOOK CREDIT.
HE LIKED TAKING CREDIT.

308
00:15:30,063 --> 00:15:32,232
NOW IF YOU'RE CORRECT,
AND THIS MAN IS

309
00:15:32,232 --> 00:15:35,235
STILL WALKING, STILL
KILLING AMONG US,

310
00:15:35,235 --> 00:15:37,070
WHY DIDN'T HE TAKE
CREDIT FOR THIS DEATH?

311
00:15:37,070 --> 00:15:38,905
NO SYMBOL WAS CARVED
IN HER FOREHEAD.

312
00:15:38,905 --> 00:15:40,740
NO CODED MESSAGE
WAS LEFT

313
00:15:40,740 --> 00:15:42,675
FOR THE POLICE
TO DECRYPT.

314
00:15:42,675 --> 00:15:44,077
IF HE KILLED HER,

315
00:15:44,077 --> 00:15:45,545
WOULDN'T HE WANT
THE WORLD TO KNOW?

316
00:15:45,545 --> 00:15:47,147
I THINK HE WANTED TO.
I THINK HE RAN OUT OF TIME.

317
00:15:47,147 --> 00:15:48,581
A NEIGHBOR HEARD NOISES
[CELL PHONE RINGS]

318
00:15:48,581 --> 00:15:50,483
COMING FROM INSIDE CATHERINE
TALLRIDGE'S APARTMENT

319
00:15:50,483 --> 00:15:52,652
THE NIGHT THAT SHE
WAS MURDERED.

320
00:15:52,652 --> 00:15:54,054
SHE CALLED THE POLICE.

321
00:15:54,054 --> 00:15:55,555
I THINK HE HAD TO
RUN OUT OF THERE.

322
00:15:55,555 --> 00:15:57,324
HE DIDN'T HAVE TIME
TO SIGN HIS WORK.

323
00:15:57,324 --> 00:15:59,626
HMM.

324
00:15:59,626 --> 00:16:01,995
I'M SORRY, BUT I THINK
YOU NEED TO, UH...

325
00:16:01,995 --> 00:16:03,930
RETHINK YOUR THEORY.

326
00:16:03,930 --> 00:16:05,598
THAT WAS
THE MEDICAL EXAMINER.

327
00:16:05,598 --> 00:16:09,036
CATHERINE TALLRIDGE'S
WOUNDS WERE INFLICTED

328
00:16:09,036 --> 00:16:10,570
BY AN LEFT-HANDED
ATTACKER.

329
00:16:10,570 --> 00:16:12,372
THE LIBRA, AS I'M
SURE YOU KNOW

330
00:16:12,372 --> 00:16:14,874
FROM YOUR RESEARCH,
WAS RIGHT-HANDED.

331
00:16:14,874 --> 00:16:17,577
I'M HOME.

332
00:16:22,315 --> 00:16:23,283
HI.

333
00:16:23,283 --> 00:16:24,817
HEY. WHERE IS
EVERYBODY?

334
00:16:24,817 --> 00:16:25,985
HOMEWORK.

335
00:16:25,985 --> 00:16:28,488
I PICKED UP
A FUDGE RIPPLE CAKE

336
00:16:28,488 --> 00:16:31,391
ON THE WAY HOME
TO CELEBRATE.

337
00:16:32,792 --> 00:16:36,896
WHAT'S WITH THE LONG FACE?
YOU GOT A NEW JOB.

338
00:16:36,896 --> 00:16:38,465
EVERYTHING ALL RIGHT?

339
00:16:38,465 --> 00:16:41,000
I WAS JUST ABOUT TO
ASK YOU THAT.

340
00:16:41,000 --> 00:16:42,535
THIS IS THE NOTE
THAT YOU WROTE

341
00:16:42,535 --> 00:16:45,138
TO MARIE'S TEACHER
THIS MORNING.

342
00:16:45,138 --> 00:16:46,673
SHE SENT IT BACK.

343
00:16:54,814 --> 00:16:57,016
CAR KEYS AND YOUR
WALLET NOW!

344
00:16:58,185 --> 00:17:00,953
COME ON. GIVE
ME YOUR WALLET!

345
00:17:00,953 --> 00:17:02,455
GIVE ME YOUR
WALLET RIGHT NOW.

346
00:17:02,455 --> 00:17:04,791
OK, OK, OK.
NOW YOUR KEYS.

347
00:17:04,791 --> 00:17:07,327
LET'S GO. LET'S GO!

348
00:17:07,327 --> 00:17:08,695
MAN, LET ME--
LET ME HAVE MY CAR.

349
00:17:08,695 --> 00:17:10,230
I JUST NEED TO GET TO
WORK, AND, YOU KNOW...

350
00:17:10,230 --> 00:17:11,698
YOU DON'T GIVE ME
THOSE KEYS,

351
00:17:11,698 --> 00:17:14,334
YOU'RE NOT GOING TO NEED
ANYTHING EVER AGAIN.

352
00:17:20,573 --> 00:17:21,908
[GUNSHOT]

353
00:17:21,908 --> 00:17:23,743
[SHELL FALLS TO GROUND]

354
00:17:29,149 --> 00:17:31,184
[CAR DOOR OPENS AND CLOSES]

355
00:17:33,186 --> 00:17:35,222
[ENGINE STARTS]

356
00:17:55,575 --> 00:17:57,110
HEY.

357
00:17:57,110 --> 00:17:58,478
HI.
YOU MUST BE THE NEW GUY.

358
00:17:58,478 --> 00:17:59,546
JOE DUBOIS.

359
00:17:59,546 --> 00:18:02,349
WELCOME ABOARD, JOE.
BRIAN FONDRAN.

360
00:18:04,684 --> 00:18:06,553
HEY, BRIAN, CAN I
ASK YOU A QUESTION?

361
00:18:06,553 --> 00:18:07,554
YEAH, SHOOT.

362
00:18:07,554 --> 00:18:09,722
HOW DO WE GET
STARTED HERE?

363
00:18:09,722 --> 00:18:11,891
I DIDN'T SEE ANY KIND OF
STAFF MEETING ON THE CALENDAR.

364
00:18:11,891 --> 00:18:13,860
YEAH, UH, WE
DON'T REALLY DO

365
00:18:13,860 --> 00:18:15,995
STAFF MEETINGS HERE.

366
00:18:15,995 --> 00:18:17,397
REALLY? WELL, HOW DO
YOU FIND OUT

367
00:18:17,397 --> 00:18:19,065
WHAT YOU'RE SUPPOSED
TO BE DOING? HOW DO YOU--

368
00:18:19,065 --> 00:18:20,567
WELL, WHO SETS THE AGENDA?

369
00:18:20,567 --> 00:18:22,302
WHO ESTABLISHES, LIKE,
THE THRESHOLDS FOR PROJECTS?

370
00:18:22,302 --> 00:18:26,706
WELL, NOBODY, REALLY.

371
00:18:26,706 --> 00:18:28,107
[BRIAN CHUCKLES]

372
00:18:28,107 --> 00:18:31,077
THIS JOB IS A LITTLE
MORE READ AND REACT,

373
00:18:31,077 --> 00:18:32,512
YOU KNOW WHAT I MEAN?

374
00:18:32,512 --> 00:18:37,217
BASICALLY, YOU JUST WAIT
UNTIL KEITH ASKS YOU

375
00:18:37,217 --> 00:18:38,918
TO DO SOMETHING.

376
00:18:38,918 --> 00:18:40,787
YOU MET KEITH, RIGHT?

377
00:18:40,787 --> 00:18:43,756
YEAH. SO...

378
00:18:45,792 --> 00:18:47,260
I WOULD JUST WAIT.

379
00:18:51,798 --> 00:18:53,733
NEAL.

380
00:18:55,101 --> 00:18:58,137
ALLISON. HI.

381
00:18:58,137 --> 00:19:00,072
I'D ASK YOU
TO JOIN ME, BUT...

382
00:19:00,072 --> 00:19:01,274
OH, NO.

383
00:19:01,274 --> 00:19:04,110
ACTUALLY, I LEFT
MY SNEAKERS IN THE CAR.

384
00:19:04,110 --> 00:19:05,945
I CAME TO SEE YOU.

385
00:19:05,945 --> 00:19:07,314
OH, THANK YOU.

386
00:19:07,314 --> 00:19:08,748
I DON'T KNOW IF
I MENTIONED YESTERDAY--

387
00:19:08,748 --> 00:19:11,584
I WORK FOR THE DISTRICT
ATTORNEY'S OFFICE.

388
00:19:11,584 --> 00:19:14,120
OH, UH, I KNOW
WHO YOU ARE.

389
00:19:14,120 --> 00:19:15,322
I WATCH THE NEWS.

390
00:19:15,322 --> 00:19:16,623
YOU'RE, UM...

391
00:19:16,623 --> 00:19:18,625
A PROFESSIONAL
DREAMER, RIGHT?

392
00:19:18,625 --> 00:19:21,027
WELL, HA HA! I DON'T KNOW
HOW PROFESSIONAL I AM,

393
00:19:21,027 --> 00:19:23,630
BUT I DO DREAM
FROM TIME TO TIME.

394
00:19:23,630 --> 00:19:28,701
AND I ACTUALLY HAD A DREAM
ABOUT YOU LAST NIGHT.

395
00:19:28,701 --> 00:19:32,305
I SAW THE MAN WHO SHOT YOU.
I SAW HIS FACE.

396
00:19:34,106 --> 00:19:36,843
I DON'T UNDERSTAND.

397
00:19:36,843 --> 00:19:38,978
THE MAN WHO SHOT ME
WAS WEARING A SKI MASK.

398
00:19:38,978 --> 00:19:40,480
I NEVER EVEN SAW HIS FACE.

399
00:19:40,480 --> 00:19:42,649
AND IT WAS 11 YEARS AGO.

400
00:19:42,649 --> 00:19:44,651
Lee: THAT'S FINE,
MR. GREYBRIDGE.

401
00:19:44,651 --> 00:19:47,454
ALL WE NEED FOR YOU TO DO
IS TO RECOGNIZE HIS VOICE.

402
00:19:47,454 --> 00:19:50,056
A VOICE I.D. WOULD
GIVE US PROBABLE CAUSE

403
00:19:50,056 --> 00:19:52,158
TO COMPEL A DNA SAMPLE.

404
00:19:52,158 --> 00:19:53,660
IF THAT MATCHES THE SAMPLE
THE POLICE FOUND

405
00:19:53,660 --> 00:19:56,329
UNDER YOUR FINGERNAILS
THE NIGHT YOU WERE SHOT,

406
00:19:56,329 --> 00:19:58,298
THEN WE SHOULD HAVE EVERYTHING
WE NEED TO CONVICT.

407
00:19:58,298 --> 00:20:00,633
ARE YOU READY?

408
00:20:02,535 --> 00:20:03,803
OK.

409
00:20:06,806 --> 00:20:08,708
NUMBER ONE, PLEASE STEP
FORWARD AND READ

410
00:20:08,708 --> 00:20:09,942
FROM THE CARD.

411
00:20:11,344 --> 00:20:14,046
"YOU DON'T GIVE ME
THOSE KEYS,

412
00:20:14,046 --> 00:20:16,949
YOU'RE NOT GOING TO NEED
ANYTHING EVER AGAIN."

413
00:20:19,185 --> 00:20:21,421
I DON'T THINK SO.

414
00:20:21,421 --> 00:20:22,889
Lee: THANK YOU,
NUMBER ONE. NUMBER TWO,

415
00:20:22,889 --> 00:20:25,792
PLEASE STEP FORWARD
AND READ FROM THE CARD.

416
00:20:25,792 --> 00:20:27,727
"IF YOU DON'T GIVE
ME THOSE KEYS,

417
00:20:27,727 --> 00:20:31,197
YOU'RE NOT GOING TO NEED
ANYTHING EVER AGAIN."

418
00:20:31,197 --> 00:20:36,369
AH, I DON'T KNOW. MAYBE.

419
00:20:36,369 --> 00:20:39,539
I'M SORRY. IT WAS...
IT WAS A LONG TIME AGO.

420
00:20:39,539 --> 00:20:40,973
YOU'RE DOING FINE.
REMEMBER,

421
00:20:40,973 --> 00:20:42,542
YOU DON'T HAVE TO WORRY
ABOUT THEIR FACES.

422
00:20:42,542 --> 00:20:44,277
YOU DON'T EVEN HAVE
TO LOOK AT THEIR FACES

423
00:20:44,277 --> 00:20:45,978
IF YOU DON'T WANT TO.

424
00:20:48,715 --> 00:20:52,319
Lee: NUMBER THREE, PLEASE
STEP FORWARD AND READ THE CARD.

425
00:20:53,786 --> 00:20:56,022
"IF YOU DON'T GIVE ME
THOSE KEYS,

426
00:20:56,022 --> 00:20:58,725
YOU'RE NOT GOING TO NEED
ANYTHING EVER AGAIN."

427
00:21:03,996 --> 00:21:05,698
THAT'S HIM.

428
00:21:09,235 --> 00:21:10,770
I'M SURE OF IT.

429
00:21:10,770 --> 00:21:14,707
I DON'T EVEN NEED
TO HEAR ANYONE ELSE.

430
00:21:14,707 --> 00:21:19,479
THAT'S THE MAN
THAT SHOT ME.

431
00:21:19,479 --> 00:21:21,414
I'LL GET A UNIFORM
TO START THE PROCESSING.

432
00:21:21,414 --> 00:21:24,584
WE SHOULD BE ABLE TO DO
THE DNA TEST THIS AFTERNOON.

433
00:21:24,584 --> 00:21:26,085
THANKS FOR
ALL YOUR HELP, LEE.

434
00:21:26,085 --> 00:21:27,354
I KNOW HOW BUSY
YOU'VE BEEN.

435
00:21:27,354 --> 00:21:30,757
EASIEST CASE I EVER
CLOSED. THANK YOU.

436
00:21:34,361 --> 00:21:35,995
YOU OK?

437
00:21:35,995 --> 00:21:37,997
YEAH.

438
00:21:40,266 --> 00:21:42,268
THANK YOU, ALLISON.

439
00:21:42,268 --> 00:21:43,336
[KNOCK ON DOOR]

440
00:21:43,336 --> 00:21:45,338
YEAH?

441
00:21:46,806 --> 00:21:48,341
HI, KEITH.

442
00:21:50,410 --> 00:21:54,447
JOE. JOE DUBOIS.
YOU JUST HIRED ME.

443
00:21:54,447 --> 00:21:56,816
TODAY'S MY FIRST DAY--
WAS MY FIRST DAY.

444
00:21:56,816 --> 00:21:58,050
IT'S 5:30.

445
00:21:58,050 --> 00:22:00,453
YEAH, NO PROBLEM.

446
00:22:00,453 --> 00:22:03,390
WE'LL SEE YOU TOMORROW.

447
00:22:03,390 --> 00:22:07,093
UH, OK. COULD I
ASK YOU SOMETHING?

448
00:22:07,093 --> 00:22:08,861
UM, I...

449
00:22:08,861 --> 00:22:10,797
I SPENT THE WHOLE
DAY OUT THERE,

450
00:22:10,797 --> 00:22:13,265
AND I READ THE
COMPANY HANDBOOK,

451
00:22:13,265 --> 00:22:16,335
AND I DID THE WHOLE
ORIENTATION.

452
00:22:16,335 --> 00:22:18,838
BUT NOBODY ACTUALLY
SPOKE TO ME ABOUT WORK.

453
00:22:18,838 --> 00:22:21,441
NOBODY FILLED ME
IN ON ANY PROJECTS,

454
00:22:21,441 --> 00:22:26,312
TOLD ME, YOU KNOW,
TO DO ANYTHING.

455
00:22:26,312 --> 00:22:28,548
YOU MAYBE WAITING FOR
ME TO COME TO YOU

456
00:22:28,548 --> 00:22:31,618
WITH SOMETHING, LIKE
AN IDEA OR SOMETHING?

457
00:22:34,153 --> 00:22:36,389
NO ONE EXPLAINED IT
TO YOU?

458
00:22:40,159 --> 00:22:42,829
OH. UH...

459
00:22:42,829 --> 00:22:46,132
THIS DEPARTMENT MAY RUN
A LITTLE DIFFERENTLY

460
00:22:46,132 --> 00:22:47,734
THAN WHAT YOU'RE USED TO.

461
00:22:47,734 --> 00:22:50,102
OK, THAT'S ALL RIGHT.
NO PROBLEM. I'LL ADJUST.

462
00:22:50,102 --> 00:22:51,671
JUST TELL ME
WHAT YOU NEED.

463
00:22:51,671 --> 00:22:53,272
WELL, THAT'S THE THING.

464
00:22:53,272 --> 00:22:54,974
I DON'T REALLY
NEED ANYTHING.

465
00:22:56,843 --> 00:23:00,346
THE TRUTH IS I PREFER TO
BE THE ONLY ENGINEER

466
00:23:00,346 --> 00:23:02,148
ON MY PROJECTS.

467
00:23:02,148 --> 00:23:06,586
HONESTLY, I FIND IT
STREAMLINES THINGS, YOU KNOW?

468
00:23:06,586 --> 00:23:10,490
COLLABORATION CAN
JUST BE DISTRACTING, RIGHT?

469
00:23:11,858 --> 00:23:13,526
I'M SORRY. YOU'RE
SAYING THAT YOU'RE

470
00:23:13,526 --> 00:23:15,227
NEVER GOING TO ASK ME
TO DO ANYTHING?

471
00:23:15,227 --> 00:23:17,997
NOT VERY OFTEN, NO.

472
00:23:17,997 --> 00:23:19,866
WHY DID YOU HIRE ME?

473
00:23:19,866 --> 00:23:25,204
UH, CORPORATE GIVES ME
A CERTAIN AMOUNT OF MONEY

474
00:23:25,204 --> 00:23:26,706
FOR STAFFING.

475
00:23:26,706 --> 00:23:28,875
AND YOU KNOW THE WAY THAT
CORPORATE BUDGETS WORK.

476
00:23:28,875 --> 00:23:33,079
IF YOU DON'T USE THE MONEY,
THEN, WELL, IT GOES AWAY.

477
00:23:33,079 --> 00:23:34,547
BUT WHO KNOWS?

478
00:23:34,547 --> 00:23:36,382
IN THE FUTURE, I
MIGHT NEED IT, RIGHT?

479
00:23:36,382 --> 00:23:40,520
SO I HIRE PEOPLE. HUH.

480
00:23:43,723 --> 00:23:45,324
YEAH, I FIND
THAT MOST PEOPLE

481
00:23:45,324 --> 00:23:47,894
DON'T HAVE
A PROBLEM WITH THIS.

482
00:23:47,894 --> 00:23:52,565
MOST PEOPLE ACTUALLY THINK
IT'S A DREAM COME TRUE.

483
00:23:52,565 --> 00:23:56,936
SO YOU KNOW, UH,
MAYBE IF YOU THINK

484
00:23:56,936 --> 00:23:59,772
ABOUT THIS AS
A KIND OF SCHOLARSHIP.

485
00:23:59,772 --> 00:24:02,575
YOU'RE FREE TO SPEND
YOUR DAYS WORKING ON

486
00:24:02,575 --> 00:24:04,210
WHATEVER YOU WANT.

487
00:24:04,210 --> 00:24:07,046
YOU'RE JUST NOT GOING TO
BE WORKING ON BIODIESELS.

488
00:24:07,046 --> 00:24:09,048
Joe: IT TURNS OUT I
COULD HAVE BEEN ANYONE.

489
00:24:09,048 --> 00:24:10,917
MAYBE I WAS JUST
THE LAST INTERVIEW.

490
00:24:10,917 --> 00:24:12,752
MAYBE HE WAS JUST
TIRED OF SEEING PEOPLE.

491
00:24:12,752 --> 00:24:14,921
WAIT. HE'S JUST GOING
TO PAY YOU TO SIT THERE

492
00:24:14,921 --> 00:24:15,922
AND DO NOTHING?

493
00:24:15,922 --> 00:24:17,524
YEAH, THAT'S WHAT
HE SAID. HE SAID

494
00:24:17,524 --> 00:24:18,925
TO THINK OF IT AS
A KIND OF SCHOLARSHIP.

495
00:24:18,925 --> 00:24:20,527
I MEAN, IT'S NOT LIKE
I'M GOING TO TURN DOWN

496
00:24:20,527 --> 00:24:21,928
THE MONEY.

497
00:24:21,928 --> 00:24:23,462
I MEAN, THE TRUTH IS,
I CAN'T.

498
00:24:23,462 --> 00:24:25,498
BUT I DON'T KNOW.
I MEAN,

499
00:24:25,498 --> 00:24:27,133
I KNOW THERE ARE A LOT
OF PEOPLE OUT THERE

500
00:24:27,133 --> 00:24:29,235
WHO'D KILL TO BE,
YOU KNOW, GETTING

501
00:24:29,235 --> 00:24:32,872
A PAYCHECK RIGHT NOW,
ANY KIND OF PAYCHECK.

502
00:24:32,872 --> 00:24:36,008
BUT I HONESTLY DON'T
KNOW IF I CAN DO IT.

503
00:24:36,008 --> 00:24:38,144
I DON'T KNOW IF I CAN
GET UP EVERY MORNING

504
00:24:38,144 --> 00:24:39,612
AND GO INTO WORK,

505
00:24:39,612 --> 00:24:41,313
KNOWING THAT
MY BEING THERE IS

506
00:24:41,313 --> 00:24:42,749
OF NO CONSEQUENCE.

507
00:24:42,749 --> 00:24:44,617
WELL, IT WILL CHANGE
ONCE HE GETS TO KNOW YOU,

508
00:24:44,617 --> 00:24:46,485
ONCE HE SEES
WHAT HE HAS.

509
00:24:46,485 --> 00:24:47,954
YOU DON'T UNDERSTAND.

510
00:24:47,954 --> 00:24:49,388
HE DOESN'T WANT
TO KNOW WHAT HE HAS.

511
00:24:49,388 --> 00:24:51,958
AND HE CERTAINLY DOESN'T
WANT TO GET TO KNOW ME.

512
00:24:51,958 --> 00:24:53,793
OK, THAT'S ENOUGH
WHINING.

513
00:24:53,793 --> 00:24:55,461
I GOT TO GET
MY BEAUTY SLEEP,

514
00:24:55,461 --> 00:24:56,963
SO I CAN GET
UP BRIGHT AND EARLY

515
00:24:56,963 --> 00:24:58,931
AND GO INTO WORK
AND DO NOTHING.

516
00:25:41,741 --> 00:25:43,509
"10:21: JACINDA BIRK
STANDS AT HER WINDOW.

517
00:25:43,509 --> 00:25:44,844
"SHE SEES A VIEW
OF EDISON PARK,

518
00:25:44,844 --> 00:25:46,445
BUT CANNOT SEE
ME WATCHING.

519
00:25:46,445 --> 00:25:48,180
"WHEN SHE IS ASLEEP,
I WILL GO TO HER.

520
00:25:48,180 --> 00:25:50,082
WHEN SHE IS ASLEEP, I WILL
MAKE HER MINE."

521
00:25:50,082 --> 00:25:52,351
AND IT GOES ON LIKE THAT FOR
THE REMAINDER OF THE PAGE.

522
00:25:52,351 --> 00:25:55,855
IT TOOK A TEAM OF EXPERTS
ABOUT 10 HOURS TO DECODE IT.

523
00:25:55,855 --> 00:25:59,592
NOW, YOU WERE RIGHT
ABOUT CATHERINE TALLRIDGE.

524
00:25:59,592 --> 00:26:02,328
HE CONFESSES TO HER
MURDER ABOUT 5 LINES DOWN.

525
00:26:02,328 --> 00:26:03,830
ARE WE SURE
THIS IS AUTHENTIC?

526
00:26:03,830 --> 00:26:05,531
ARE WE SURE THIS IS WRITTEN

527
00:26:05,531 --> 00:26:07,099
BY THE ORIGINAL
LIBRA SLAYER?

528
00:26:07,099 --> 00:26:09,135
I'M AFRAID WE CAN'T
BE CERTAIN ABOUT THAT.

529
00:26:09,135 --> 00:26:11,170
WHEN THE LIBRA SLAYER
WAS LAST ACTIVE,

530
00:26:11,170 --> 00:26:14,040
HE LEFT CODED MESSAGES WITH
THE BODY OF EACH VICTIM.

531
00:26:14,040 --> 00:26:16,108
NOW, EACH OF THESE CODES
WAS UNIQUE,

532
00:26:16,108 --> 00:26:18,577
BUT ALL OF THE TRANSLATED
MESSAGES HAD

533
00:26:18,577 --> 00:26:21,714
A SPECIFIC VOICE--
ARROGANT, DERISIVE,

534
00:26:21,714 --> 00:26:24,751
ALMOST CLINICAL IN
THE RECORDING OF DETAIL--

535
00:26:24,751 --> 00:26:27,053
THE TIME OF DAY,
THE VICTIM'S FULL NAME,

536
00:26:27,053 --> 00:26:28,721
REFERENCES
TO THE LOCATION.

537
00:26:28,721 --> 00:26:30,823
NOW, THIS NEW MESSAGE--

538
00:26:30,823 --> 00:26:33,325
BOTH IN TONE AND IN
THE COMPLEXITY OF

539
00:26:33,325 --> 00:26:35,795
THE CODE ITSELF--
APPEARS TO BE IDENTICAL

540
00:26:35,795 --> 00:26:37,396
TO THE MESSAGES
LEFT BY THE LIBRA.

541
00:26:37,396 --> 00:26:39,932
IT EVEN REFERS TO DETAILS
OF THE ORIGINAL CRIMES

542
00:26:39,932 --> 00:26:42,201
THAT WERE HELD BACK
FROM THE PRESS.

543
00:26:42,201 --> 00:26:44,236
IT SEEMS UNLIKELY THAT ANYONE
BUT THE ORIGINAL KILLER

544
00:26:44,236 --> 00:26:45,905
WOULD KNOW THEM.

545
00:26:45,905 --> 00:26:49,441
ON THE OTHER HAND,
THERE IS ONE DETAIL

546
00:26:49,441 --> 00:26:50,977
THAT DOESN'T LINE UP.

547
00:26:50,977 --> 00:26:53,012
ACCORDING
TO THE MEDICAL EXAMINER,

548
00:26:53,012 --> 00:26:55,581
BOTH CATHERINE TALLRIDGE
AND JACINDA BIRK

549
00:26:55,581 --> 00:26:58,484
WERE MURDERED BY
A LEFT-HANDED ASSAILANT.

550
00:26:58,484 --> 00:27:00,019
BUT ISN'T IT
COMMON KNOWLEDGE?

551
00:27:00,019 --> 00:27:01,954
ISN'T THE LIBRA
SLAYER RIGHT-HANDED?

552
00:27:01,954 --> 00:27:03,555
SO WE ALWAYS BELIEVED.

553
00:27:03,555 --> 00:27:04,991
BUT THIS NEW CRYPTOGRAM--

554
00:27:04,991 --> 00:27:06,625
IT WAS WRITTEN BY
SOMEBODY WHO'S LEFT-HANDED.

555
00:27:06,625 --> 00:27:08,594
WHOEVER KILLED THESE WOMEN,

556
00:27:08,594 --> 00:27:10,296
IF NOT THE ORIGINAL
LIBRA SLAYER,

557
00:27:10,296 --> 00:27:13,465
THEN IT'S SOMEONE WHO'S DOING
THINGS IN THE EXACT SAME WAY

558
00:27:13,465 --> 00:27:15,668
BUT USING THE OTHER HAND.

559
00:27:15,668 --> 00:27:18,037
[KNOCK ON DOOR]

560
00:27:18,037 --> 00:27:19,772
TALK TO ME.

561
00:27:19,772 --> 00:27:21,708
I WAS WONDERING IF
YOU HAD A CHANCE

562
00:27:21,708 --> 00:27:23,142
TO LOOK AT
THE SCHEMATIC

563
00:27:23,142 --> 00:27:24,777
THAT I LEFT FOR
YOU AT LUNCH.

564
00:27:24,777 --> 00:27:27,179
IT'S 5:30. EVERYONE'S
TAKING OFF.

565
00:27:27,179 --> 00:27:29,548
I JUST DIDN'T WANT TO GO
IF YOU WERE PLANNING ON

566
00:27:29,548 --> 00:27:31,951
GIVING ME ANY FEEDBACK--

567
00:27:31,951 --> 00:27:35,121
ANY REACTION, A
DIRECTION OF SOME SORT.

568
00:27:35,121 --> 00:27:38,424
YOU TALKING ABOUT
THAT WIRING THING?

569
00:27:38,424 --> 00:27:42,995
YEAH, THAT WASN'T SOMETHING
THAT I ASKED YOU TO DO.

570
00:27:42,995 --> 00:27:44,430
I KNOW.

571
00:27:47,166 --> 00:27:49,635
I READ IT.

572
00:27:49,635 --> 00:27:50,903
IT WASN'T BAD.

573
00:27:50,903 --> 00:27:52,104
OH, REALLY? DO YOU
WANT TO SIT DOWN?

574
00:27:52,104 --> 00:27:53,405
MAYBE WE COULD
SET UP A TIME

575
00:27:53,405 --> 00:27:54,573
WE COULD GO OVER IT.

576
00:27:54,573 --> 00:27:56,008
IT WASN'T BAD.

577
00:27:56,008 --> 00:27:57,877
IT JUST WASN'T EXCELLENT.

578
00:27:57,877 --> 00:28:02,448
YOU KNOW, I MEAN, FRANKLY,
WHAT WAS THE POINT?

579
00:28:02,448 --> 00:28:05,517
NO OFFENSE, BUT I DON'T
REALLY HAVE ANY USE

580
00:28:05,517 --> 00:28:06,986
FOR THAT KIND OF WORK.

581
00:28:06,986 --> 00:28:08,687
I MEAN, LIKE I TOLD YOU,

582
00:28:08,687 --> 00:28:12,558
I CAN GET TO EXCELLENT
ON MY OWN. SO...

583
00:28:12,558 --> 00:28:13,793
REALLY?

584
00:28:15,895 --> 00:28:18,197
I WAS ACTUALLY THINKING
ABOUT THAT WIRING PROBLEM

585
00:28:18,197 --> 00:28:19,665
TODAY AT LUNCH.

586
00:28:19,665 --> 00:28:21,367
UH...

587
00:28:21,367 --> 00:28:25,671
I CAME UP WITH SOME PRETTY
INTERESTING STUFF.

588
00:28:25,671 --> 00:28:28,674
YOU CAN TAKE A LOOK
IF YOU WANT.

589
00:28:28,674 --> 00:28:29,809
MM-HMM.

590
00:28:31,210 --> 00:28:33,412
THANK YOU.

591
00:28:37,850 --> 00:28:39,451
I MEANT IT.

592
00:28:39,451 --> 00:28:42,521
IT WASN'T BAD.

593
00:28:42,521 --> 00:28:44,290
YOU'RE A SMART GUY,

594
00:28:44,290 --> 00:28:49,061
WHICH MEANS THAT YOU'RE
GOING TO BE MISERABLE HERE.

595
00:28:49,061 --> 00:28:50,696
I'M NOT SAYING
THAT I'M UNHAPPY.

596
00:28:50,696 --> 00:28:52,498
IT'S JUST
MY SECOND DAY.

597
00:28:52,498 --> 00:28:55,134
NO, I KNOW YOU'RE NOT
GRIPING. I JUST...

598
00:28:55,134 --> 00:28:57,136
I KNOW HOW THIS IS
GOING TO PLAY OUT.

599
00:28:57,136 --> 00:28:59,071
MOST PEOPLE,
THEY COME HERE,

600
00:28:59,071 --> 00:29:02,909
THEY FIGURE OUT HOW I LIKE
TO OPERATE PRETTY QUICKLY.

601
00:29:02,909 --> 00:29:05,878
YOU KNOW, THEY SETTLE IN
TO DOING WHATEVER.

602
00:29:05,878 --> 00:29:07,980
THEY LIKE DOING WHATEVER.

603
00:29:07,980 --> 00:29:13,419
BUT YOU HAVE INITIATIVE.

604
00:29:13,419 --> 00:29:16,455
THE TROUBLE IS, I HAVE
NO USE FOR THAT.

605
00:29:18,090 --> 00:29:19,091
UM...

606
00:29:19,091 --> 00:29:22,728
OH...

607
00:29:22,728 --> 00:29:24,430
I'LL TELL YOU WHAT.

608
00:29:24,430 --> 00:29:26,933
I'M GONNA E-MAIL
THE GUY THAT RUNS

609
00:29:26,933 --> 00:29:29,568
THE COMMERCIAL
AERONAUTICS DIVISION.

610
00:29:29,568 --> 00:29:31,070
THEY GOT SOME NEW CONTRACTS.

611
00:29:31,070 --> 00:29:32,872
THEY'RE PROBABLY
LOOKING FOR TALENT.

612
00:29:32,872 --> 00:29:34,673
I COULD OFFER TO TAKE
ONE OF THEIR WORST GUYS

613
00:29:34,673 --> 00:29:36,075
IN EXCHANGE FOR YOU.

614
00:29:36,075 --> 00:29:38,744
YOU'RE GONNA TRADE ME?

615
00:29:38,744 --> 00:29:41,380
SURE. YEAH. YOU'LL
LIKE IT DOWN THERE.

616
00:29:41,380 --> 00:29:43,282
THEY DO SOME KIND
OF INTERESTING STUFF

617
00:29:43,282 --> 00:29:44,817
WITH TURBINES.

618
00:29:51,757 --> 00:29:53,259
[EXHALES]

619
00:29:53,259 --> 00:29:54,994
Lee: YOU LOOK LIKE
YOU'RE CRAMMING

620
00:29:54,994 --> 00:29:56,495
FOR THE WORLD'S
MOST GRUESOME FINAL.

621
00:29:56,495 --> 00:29:57,496
YEAH, WELL,

622
00:29:57,496 --> 00:29:59,065
THE WAY THIS IS GOING,
YOU MIGHT AS WELL

623
00:29:59,065 --> 00:30:00,499
JUST HAND ME AN "F."

624
00:30:00,499 --> 00:30:02,768
I HOPE YOU GUYS ARE
LEARNING MORE THAN I AM.

625
00:30:02,768 --> 00:30:04,770
WE'VE GOT HALF THE HOMICIDE
DIVISION PULLING OVERTIME.

626
00:30:04,770 --> 00:30:07,206
SO FAR, NOT MUCH
IN THE WAY OF RESULTS.

627
00:30:07,206 --> 00:30:09,208
UH...

628
00:30:12,945 --> 00:30:16,082
YOUR FRIEND
NEAL GREYBRIDGE,

629
00:30:16,082 --> 00:30:18,784
THE ASSISTANT DISTRICT ATTORNEY
IN CHARGE OF HIS CASE,

630
00:30:18,784 --> 00:30:20,386
CALLED ME.

631
00:30:20,386 --> 00:30:22,088
APPARENTLY, THEY SCHEDULED
A SIT-DOWN WITH HIM.

632
00:30:22,088 --> 00:30:23,722
THEY'RE BUILDING A CASE
AGAINST THE GUY WHO SHOT HIM.

633
00:30:23,722 --> 00:30:25,024
SO, UH,

634
00:30:25,024 --> 00:30:26,792
YOU KNOW, THEY NEED TO GO
OVER HIS STATEMENT,

635
00:30:26,792 --> 00:30:28,961
TALK TO HIM ABOUT
TAKING THE STAND.

636
00:30:28,961 --> 00:30:30,829
ONLY PROBLEM IS NEAL
NEVER SHOWED UP.

637
00:30:30,829 --> 00:30:33,132
I HOPE HE'S OK.

638
00:30:33,132 --> 00:30:34,566
YEAH, WELL,
I KEEP CALLING HIM.

639
00:30:34,566 --> 00:30:37,136
I KNOW THE A.D.A. LEFT
HIM A COUPLE MESSAGES.

640
00:30:37,136 --> 00:30:39,138
BUT, UH, YOU KNOW THIS GUY.

641
00:30:39,138 --> 00:30:40,973
I WAS THINKING MAYBE YOU
COULD REACH OUT TO HIM.

642
00:30:40,973 --> 00:30:43,509
JUST MAKE SURE HE
ISN'T GONNA FLAKE OUT ON US.

643
00:30:43,509 --> 00:30:46,312
On answering machine:
HI. IT'S NEAL.

644
00:30:46,312 --> 00:30:47,613
LEAVE ME YOUR NAME
AND NUMBER,

645
00:30:47,613 --> 00:30:49,215
AND I'LL CALL YOU BACK
AS SOON AS I CAN.

646
00:30:49,215 --> 00:30:50,849
HI, NEAL. THIS IS
ALLISON DUBOIS AGAIN.

647
00:30:50,849 --> 00:30:52,384
SORRY TO LEAVE
YOU ANOTHER MESSAGE.

648
00:30:52,384 --> 00:30:54,820
JUST CALLING TO MAKE
SURE THAT YOU CHECK IN

649
00:30:54,820 --> 00:30:56,989
WITH DETECTIVE SCANLON
TOMORROW.

650
00:30:56,989 --> 00:31:00,159
IF YOU GET THIS, CAN YOU
CALL ME IN THE MORNING?

651
00:31:00,159 --> 00:31:02,828
I DON'T UNDERSTAND WHY
THIS GUY WON'T CALL

652
00:31:02,828 --> 00:31:04,296
EITHER ONE OF US BACK.

653
00:31:04,296 --> 00:31:05,898
MAYBE HE'S AFRAID
TO CONFRONT

654
00:31:05,898 --> 00:31:07,466
THE GUY WHO SHOT HIM.

655
00:31:07,466 --> 00:31:08,600
I DON'T KNOW.

656
00:31:08,600 --> 00:31:11,003
WHEN THE DOCTORS TOLD NEAL
THAT HE WAS PARALYZED,

657
00:31:11,003 --> 00:31:12,638
HE BASICALLY
JUST IGNORED THEM.

658
00:31:12,638 --> 00:31:14,540
HE DOESN'T REALLY STRIKE
ME AS THE KIND OF GUY

659
00:31:14,540 --> 00:31:16,175
WHO'S SHORT ON COURAGE.

660
00:31:17,676 --> 00:31:19,411
WHAT ARE YOU READING
SO INTENTLY?

661
00:31:19,411 --> 00:31:21,047
I THOUGHT YOU DIDN'T HAVE
TO DO ANY WORK

662
00:31:21,047 --> 00:31:22,681
WITH YOUR NEW JOB.

663
00:31:22,681 --> 00:31:24,583
I DON'T. BUT I DID.

664
00:31:24,583 --> 00:31:26,185
I TOOK YOUR ADVICE,

665
00:31:26,185 --> 00:31:28,187
AND I TRIED TO SHOW
HIM WHAT I GOT.

666
00:31:28,187 --> 00:31:29,488
UNFORTUNATELY,
WHEN HE SAW IT,

667
00:31:29,488 --> 00:31:31,490
HE COULDN'T HAVE
BEEN LESS IMPRESSED.

668
00:31:31,490 --> 00:31:33,159
SO THIS IS MY BOSS'S
SOLUTION TO A PROBLEM

669
00:31:33,159 --> 00:31:34,760
THAT I SPENT THE WHOLE
MORNING WORKING ON,

670
00:31:34,760 --> 00:31:36,362
AND HE DASHED IT
OFF WHILE EATING

671
00:31:36,362 --> 00:31:37,529
A TUNA SANDWICH.

672
00:31:37,529 --> 00:31:40,032
I READ THROUGH IT 4 TIMES
NOW, AND YOU KNOW WHAT?

673
00:31:40,032 --> 00:31:41,700
IT'S BETTER THAN WHAT
I CAME UP WITH.

674
00:31:41,700 --> 00:31:42,901
WAY BETTER.

675
00:31:42,901 --> 00:31:44,570
I CAN SEE WHY
THE COMPANY PUTS UP

676
00:31:44,570 --> 00:31:46,405
WITH THIS GUY'S QUIRKS.

677
00:31:46,405 --> 00:31:49,141
YOU KNOW, IT'S A SHAME
THAT THIS MUCH TALENT

678
00:31:49,141 --> 00:31:51,610
IS ATTACHED TO A GUY
WITH ZERO PEOPLE SKILLS.

679
00:31:51,610 --> 00:31:54,646
WELL, IT'S A SHAME,

680
00:31:54,646 --> 00:31:56,882
BUT AT LEAST IT WON'T BE
YOUR PROBLEM ANYMORE.

681
00:31:56,882 --> 00:31:58,384
THAT'S RIGHT BECAUSE
I'M GONNA DO

682
00:31:58,384 --> 00:32:00,486
SOME REALLY INTERESTING
THING WITH TURBINES.

683
00:32:00,486 --> 00:32:02,388
OOH!

684
00:32:02,388 --> 00:32:04,556
Woman: AUTHORITIES HAVE
CRACKED THE CODED MESSAGE

685
00:32:04,556 --> 00:32:06,225
THAT WAS LEFT WITH
THE LATEST VICTIM

686
00:32:06,225 --> 00:32:08,227
OF THE SO-CALLED
LIBRA SLAYER,

687
00:32:08,227 --> 00:32:09,962
THOUGH APPARENTLY
THE NOTE HAS GIVEN THEM

688
00:32:09,962 --> 00:32:11,897
NO FURTHER CLUES
TO THE IDENTITY

689
00:32:11,897 --> 00:32:13,399
OF THE MURDERER.

690
00:32:13,399 --> 00:32:15,367
AND IN OTHER NEWS,
PRESIDENT BILL CLINTON TODAY

691
00:32:15,367 --> 00:32:17,569
VOWED TO FIGHT
IMPEACHMENT CHARG--

692
00:32:29,181 --> 00:32:32,251
CAR KEYS AND
YOUR WALLET NOW!

693
00:32:32,251 --> 00:32:33,919
COME ON. GIVE
ME YOUR WALLET!

694
00:32:33,919 --> 00:32:35,387
GIVE ME YOUR WALLET
RIGHT NOW.

695
00:32:35,387 --> 00:32:39,091
OK, OK, OK.
NOW YOUR KEYS.

696
00:32:39,091 --> 00:32:41,893
LET'S GO. LET'S GO!

697
00:32:41,893 --> 00:32:43,262
MAN, LET ME--
LET ME HAVE MY CAR.

698
00:32:43,262 --> 00:32:44,863
I JUST NEED TO GET
TO WORK AND, YOU KNOW...

699
00:32:44,863 --> 00:32:46,432
IF YOU DON'T GIVE
ME THOSE KEYS,

700
00:32:46,432 --> 00:32:49,068
YOU'RE NOT GOING TO NEED
ANYTHING EVER AGAIN.

701
00:32:54,940 --> 00:32:56,708
[GUNSHOT]

702
00:32:56,708 --> 00:32:58,410
[SHELL FALLS TO GROUND]

703
00:33:03,649 --> 00:33:07,586
[CAR DOOR OPENS AND CLOSES]

704
00:33:07,586 --> 00:33:09,255
[ENGINE STARTING]

705
00:33:31,810 --> 00:33:33,312
OH, SO WAIT A SECOND.

706
00:33:33,312 --> 00:33:34,813
YOU'RE TELLING ME THAT
GUY WHO LIMPED IN HERE

707
00:33:34,813 --> 00:33:36,148
THE OTHER DAY
WITH A CANE

708
00:33:36,148 --> 00:33:38,250
WAS THE LIBRA SLAYER?

709
00:33:38,250 --> 00:33:39,918
NEAL GREYBRIDGE.
YES, IT'S HIM.

710
00:33:39,918 --> 00:33:41,153
REALLY?

711
00:33:41,153 --> 00:33:42,754
BECAUSE THAT GUY CAN
BARELY GET AROUND.

712
00:33:42,754 --> 00:33:44,123
HOW DOES IT WORK?

713
00:33:44,123 --> 00:33:45,757
DOES HE PARK IN
A HANDICAPPED SPOT

714
00:33:45,757 --> 00:33:47,093
BEFORE HE
KILLS SOMEONE?

715
00:33:47,093 --> 00:33:48,627
I'M TELLING YOU
IT'S HIM, LEE.

716
00:33:48,627 --> 00:33:50,129
I SAW IT.

717
00:33:50,129 --> 00:33:51,763
THE ORIGINAL KILLINGS
STOPPED 11 YEARS AGO--

718
00:33:51,763 --> 00:33:53,632
RIGHT AFTER NEAL GOT SHOT.

719
00:33:53,632 --> 00:33:55,567
THEY STARTED AGAIN AS SOON
AS HE WAS WELL ENOUGH

720
00:33:55,567 --> 00:33:57,436
TO GET AROUND.
AND YOU WANT TO KNOW WHY

721
00:33:57,436 --> 00:33:59,271
THE KILLER'S SUDDENLY
LEFT-HANDED?

722
00:33:59,271 --> 00:34:01,640
BECAUSE HE CAN'T USE
HIS RIGHT HAND.

723
00:34:01,640 --> 00:34:03,609
HE'S GOT A BULLET
LODGED IN HIS SPINE.

724
00:34:03,609 --> 00:34:06,145
THAT SURE WOULD EXPLAIN
A LOT OF THINGS.

725
00:34:06,145 --> 00:34:07,646
LIKE THE HANDPRINT.

726
00:34:07,646 --> 00:34:08,780
WHAT HANDPRINT?

727
00:34:08,780 --> 00:34:11,250
11 YEARS GO, THE ORIGINAL
DETECTIVES ON THE CASE

728
00:34:11,250 --> 00:34:12,818
DISCOVERED A PARTIAL
HANDPRINT

729
00:34:12,818 --> 00:34:15,854
ON ONE OF THE LETTERS THAT
THE LIBRA SLAYER LEFT BEHIND.

730
00:34:15,854 --> 00:34:17,523
THEY WERE SURE THAT WAS
THE PIECE OF EVIDENCE

731
00:34:17,523 --> 00:34:19,991
THAT WAS GONNA HELP THEM
PUT JOHN DAVID BOATNER AWAY.

732
00:34:19,991 --> 00:34:22,761
THE ONLY PROBLEM WAS
IT DIDN'T MATCH.

733
00:34:22,761 --> 00:34:24,496
IT WASN'T HIS PRINT.

734
00:34:25,697 --> 00:34:27,666
BRING NEAL GREYBRIDGE IN.
TAKE HIS PRINT.

735
00:34:27,666 --> 00:34:31,036
IF I'M WRONG, YOU'LL HAVE
LOST A COUPLE HOURS.

736
00:34:31,036 --> 00:34:32,971
IF I'M RIGHT,

737
00:34:32,971 --> 00:34:34,873
MAYBE THIS WHOLE THING
WILL BE OVER.

738
00:34:34,873 --> 00:34:36,275
[METAL CLACKING]

739
00:34:38,210 --> 00:34:39,845
KEITH, YOU GOT
A MINUTE?

740
00:34:39,845 --> 00:34:41,580
ACTUALLY, I DON'T.

741
00:34:41,580 --> 00:34:42,948
JUST ONE MINUTE,

742
00:34:42,948 --> 00:34:44,350
PROMISE. I JUST WANT
TO TALK TO YOU

743
00:34:44,350 --> 00:34:46,285
ABOUT THAT TRANSFER.

744
00:34:46,285 --> 00:34:47,619
WHAT ABOUT IT?

745
00:34:47,619 --> 00:34:49,388
IT'S JUST GONNA TAKE
A COUPLE DAYS TO GET

746
00:34:49,388 --> 00:34:50,689
THROUGH HUMAN RESOURCES.

747
00:34:50,689 --> 00:34:52,791
I KNOW THAT. THING
IS, I DON'T WANT IT.

748
00:34:54,893 --> 00:34:58,897
REALLY? I KNEW IT.

749
00:34:58,897 --> 00:35:00,065
[CHUCKLES]

750
00:35:00,065 --> 00:35:01,900
SUDDENLY, YOU REALIZE
THE IDEA

751
00:35:01,900 --> 00:35:03,935
OF A COUPLE YEARS
OF FREE MONEY

752
00:35:03,935 --> 00:35:05,571
ISN'T SO HEINOUS, HUH?

753
00:35:05,571 --> 00:35:08,073
UH, NO. NO, ACTUALLY,
IT WASN'T THAT.

754
00:35:08,073 --> 00:35:09,975
IT'S, I READ YOUR NOTES.

755
00:35:09,975 --> 00:35:12,578
YOUR SOLUTION TO
THE WIRING PROBLEM.

756
00:35:12,578 --> 00:35:16,415
IT'S SMART, SCARY SMART.

757
00:35:16,415 --> 00:35:19,017
OH, WELL, THAT'S...

758
00:35:19,017 --> 00:35:21,119
OK. THANKS.

759
00:35:21,119 --> 00:35:22,388
YOU'RE WELCOME.

760
00:35:22,388 --> 00:35:24,256
THING IS, I DON'T
WANT TO TRANSFER AWAY

761
00:35:24,256 --> 00:35:25,924
FROM THAT KIND OF
THINKING.

762
00:35:25,924 --> 00:35:27,926
NO GOOD ENGINEER WOULD.

763
00:35:27,926 --> 00:35:29,728
YEAH, WELL, UH...

764
00:35:29,728 --> 00:35:33,232
THIS ISN'T REALLY
ABOUT WHAT YOU WANT.

765
00:35:33,232 --> 00:35:35,934
I'M NOT SO SURE.

766
00:35:35,934 --> 00:35:38,437
SEE, YOU NEED
MY HELP, MAN.

767
00:35:38,437 --> 00:35:40,939
YOU DON'T KNOW IT YET,
BUT YOU NEED MY HELP.

768
00:35:40,939 --> 00:35:42,441
YOU'RE CLEARLY
BRILLIANT.

769
00:35:42,441 --> 00:35:44,243
YOU'RE BRILLIANT
ENOUGH TO GET AWAY

770
00:35:44,243 --> 00:35:45,611
WITH THIS HOWARD HUGHES
ACT UP UNTIL NOW.

771
00:35:45,611 --> 00:35:48,180
BUT I GUARANTEE YOU
YOU'RE GONNA GET CAUGHT

772
00:35:48,180 --> 00:35:49,615
BECAUSE YOU'RE NOT
DOING YOUR BEST WORK.

773
00:35:49,615 --> 00:35:51,717
NOBODY DOES THEIR BEST
WORK IN A VACUUM.

774
00:35:51,717 --> 00:35:53,619
NOW, YOU NEED SOMEONE TO
BOUNCE YOUR IDEAS OFF,

775
00:35:53,619 --> 00:35:56,288
SOMEBODY TO CHECK
YOUR THINKING AGAINST.

776
00:35:56,288 --> 00:35:58,023
SOMEBODY WHO'S SMART
ENOUGH TO KEEP PACE

777
00:35:58,023 --> 00:35:59,458
WITH YOU AND SOMEONE

778
00:35:59,458 --> 00:36:00,926
WHO'S GONNA CALL
YOU ON YOUR CRAP.

779
00:36:00,926 --> 00:36:06,097
AND I THINK I'M THAT
GUY. SO THINK ABOUT IT.

780
00:36:06,097 --> 00:36:08,467
IF YOU AGREE,
CALL OFF THE TRANSFER.

781
00:36:08,467 --> 00:36:11,537
BY THE WAY, YOU'RE GONNA
WANT TO CHECK YOUR WORK

782
00:36:11,537 --> 00:36:16,842
ON DIAGRAM 7, PAGE 4.
I FIXED IT FOR YOU.

783
00:36:16,842 --> 00:36:18,577
[TELEPHONE RINGS]

784
00:36:18,577 --> 00:36:19,945
AHEM. HELLO.

785
00:36:19,945 --> 00:36:22,180
Lee: I'M IN NEAL GREYBRIDGE'S
APARTMENT RIGHT NOW.

786
00:36:22,180 --> 00:36:24,483
YOU SHOULD SEE HIS
BOOKSHELF--CRYPTANALYSIS,

787
00:36:24,483 --> 00:36:25,884
"THE CODE-BREAKERS,"

788
00:36:25,884 --> 00:36:27,419
THE GUY MUST HAVE
EVERYTHING EVER WRITTEN

789
00:36:27,419 --> 00:36:28,854
ON THE SUBJECT OF
ENCRYPTION.

790
00:36:28,854 --> 00:36:30,055
ARE YOU BRINGING
HIM IN?

791
00:36:30,055 --> 00:36:31,490
I'M NOT
BRINGING HIM ANYWHERE.

792
00:36:31,490 --> 00:36:33,659
NOT RIGHT NOW, ANYWAY.
HE'S GONE.

793
00:36:33,659 --> 00:36:35,661
A NEIGHBOR TOLD ME SHE SAW
NEAL PACKING UP HIS CAR

794
00:36:35,661 --> 00:36:37,329
AND DRIVING OFF
IN A HURRY.

795
00:36:37,329 --> 00:36:39,531
THIS WAS THE DAY
BEFORE YESTERDAY.

796
00:36:39,531 --> 00:36:42,167
SO SOMETHING
MUST HAVE SPOOKED HIM.

797
00:36:42,167 --> 00:36:44,770
MY GOD, LEE.
I SCARED HIM OFF.

798
00:36:44,770 --> 00:36:46,672
I TOLD HIM THAT I'D BEEN
DREAMING ABOUT HIM.

799
00:36:46,672 --> 00:36:48,674
I EVEN FOUND THE MAN
WHO'D SHOT HIM.

800
00:36:48,674 --> 00:36:50,542
HE MUST HAVE FIGURED IT
WAS JUST A MATTER OF TIME

801
00:36:50,542 --> 00:36:52,278
BEFORE I LEARNED
THE TRUTH ABOUT HIM.

802
00:36:52,278 --> 00:36:54,179
WE SHOULD HAVE HIM
IN CUSTODY RIGHT NOW.

803
00:36:54,179 --> 00:36:55,881
WE WOULD HAVE HIM

804
00:36:55,881 --> 00:36:57,349
IN CUSTODY RIGHT NOW

805
00:36:57,349 --> 00:36:59,918
IF I'D JUST SEEN
IT SOONER.

806
00:36:59,918 --> 00:37:01,687
WE'LL FIND HIM, ALLISON.
IT'S JUST A MATTER OF TIME.

807
00:37:01,687 --> 00:37:03,422
I'M NOT SURE
WE HAVE TIME, LEE.

808
00:37:03,422 --> 00:37:05,324
NEAL SPENT THE LAST
11 YEARS OF HIS LIFE

809
00:37:05,324 --> 00:37:07,225
WORKING HIS WAY OUT
OF A HOSPITAL BED,

810
00:37:07,225 --> 00:37:08,627
GETTING HIMSELF
STRONG ENOUGH TO DO

811
00:37:08,627 --> 00:37:10,496
THE ONE THING THAT
HE REALLY LOVES.

812
00:37:10,496 --> 00:37:11,997
NOW THAT HE'S BACK,

813
00:37:11,997 --> 00:37:13,699
I DON'T THINK HE'S GOING
TO STOP KILLING WOMEN

814
00:37:13,699 --> 00:37:16,435
JUST BECAUSE THE POLICE
KNOW WHO HE IS.

815
00:37:16,435 --> 00:37:18,470
[WOMAN GASPING]

816
00:37:21,740 --> 00:37:23,742
[ALARM CLOCK]

817
00:37:23,742 --> 00:37:25,411
[ALARM STOPS]

818
00:37:29,047 --> 00:37:30,749
[GASPING STOPS]

819
00:38:20,799 --> 00:38:21,833
YOU OK?

820
00:38:21,833 --> 00:38:23,769
AL?

821
00:38:23,769 --> 00:38:26,738
WAIT. SHH.
I GOT TO GET THIS DOWN.

822
00:38:30,609 --> 00:38:32,911
Allison: THANK YOU, SIR.

823
00:38:32,911 --> 00:38:36,415
I'LL BE WAITING
BY THE PHONE.

824
00:38:36,415 --> 00:38:37,583
[TELEPHONE TURNS OFF]

825
00:38:37,583 --> 00:38:39,284
ALL RIGHT.
DEVALOS GOT THE FAX.

826
00:38:39,284 --> 00:38:40,519
OK.

827
00:38:40,519 --> 00:38:41,920
I TOLD HIM WHAT I KNOW.

828
00:38:41,920 --> 00:38:43,455
NEAL GREYBRIDGE IS
GOING TO LEAVE THAT NOTE

829
00:38:43,455 --> 00:38:45,290
AT THE SCENE OF
THE NEXT MURDER.

830
00:38:45,290 --> 00:38:46,792
THE POLICE ARE TRYING
TO DECODE IT NOW.

831
00:38:46,792 --> 00:38:48,660
OH, WELL, THAT'S
GOOD NEWS, RIGHT?

832
00:38:48,660 --> 00:38:51,162
IN YOUR DREAM,
THE MURDER TOOK PLACE

833
00:38:51,162 --> 00:38:52,664
AT 5:30 IN THE MORNING.

834
00:38:52,664 --> 00:38:54,800
NOW IT'S EXACTLY 1:51.

835
00:38:54,800 --> 00:38:57,035
SO THAT GIVES THE POLICE
OVER 3 1/2 HOURS TO TRY

836
00:38:57,035 --> 00:38:58,937
AND BREAK THIS THING.

837
00:38:58,937 --> 00:39:00,806
YEAH, WELL, IT TOOK
THE POLICE 10 HOURS

838
00:39:00,806 --> 00:39:02,474
TO DECODE
THE LAST LETTER,

839
00:39:02,474 --> 00:39:04,142
SO THE GIRL WILL
BE DEAD BY THEN.

840
00:39:04,142 --> 00:39:05,310
IT'S RIGHT HERE.

841
00:39:05,310 --> 00:39:06,745
IT IS RIGHT HERE
IN FRONT OF ME.

842
00:39:06,745 --> 00:39:08,547
EVERY ONE OF
HIS MESSAGES CONTAINS

843
00:39:08,547 --> 00:39:09,981
THE NAME OF THE VICTIM.

844
00:39:09,981 --> 00:39:12,651
HE STALKS THEM; HE NOTES
THEIR SURROUNDINGS.

845
00:39:12,651 --> 00:39:14,285
HE DOCUMENTS EVERYTHING.

846
00:39:14,285 --> 00:39:15,887
IF WE COULD
JUST READ THIS,

847
00:39:15,887 --> 00:39:17,823
WE WOULD KNOW EXACTLY
WHO HE'S GONNA KILL,

848
00:39:17,823 --> 00:39:19,725
EXACTLY HOW
HE'S GONNA DO IT.

849
00:39:24,496 --> 00:39:27,499
WAIT A MINUTE.
I KNOW THIS.

850
00:39:27,499 --> 00:39:29,468
I KNOW I KNOW
THIS.

851
00:39:29,468 --> 00:39:32,037
Joe: WHAT YOU DOING?

852
00:39:32,037 --> 00:39:34,005
IT'S RIGHT HERE.

853
00:39:34,005 --> 00:39:36,742
I HAD IT RIGHT HERE
THE WHOLE TIME.

854
00:39:36,742 --> 00:39:38,844
WHAT ARE YOU TALKING
ABOUT? YOU HAD WHAT?

855
00:39:38,844 --> 00:39:40,746
THIS.

856
00:39:47,052 --> 00:39:48,353
ISN'T THAT THE NOTE

857
00:39:48,353 --> 00:39:50,856
THAT YOU WROTE
TO MARIE'S TEACHER?

858
00:39:50,856 --> 00:39:52,123
I NEED A PEN.

859
00:39:53,892 --> 00:39:55,694
THANKS.

860
00:39:55,694 --> 00:39:57,496
THIS IS THE ANSWER KEY.

861
00:39:57,496 --> 00:39:58,997
"DEAR MRS. CEZAUX..."

862
00:40:00,699 --> 00:40:02,834
Devalos: THE POLICE ARRESTED
HIM EARLY THIS MORNING

863
00:40:02,834 --> 00:40:04,636
IN SAN BERNARDINO,
CALIFORNIA.

864
00:40:04,636 --> 00:40:06,371
HE WAS TRYING TO BREAK INTO
THE HOME OF THE WOMAN

865
00:40:06,371 --> 00:40:07,739
YOU DREAMT ABOUT.

866
00:40:07,739 --> 00:40:09,541
AS A MATTER OF FACT,
MR. GREYBRIDGE TOLD US

867
00:40:09,541 --> 00:40:12,544
HE WAS WILLING TO MAKE
A FULL CONFESSION.

868
00:40:12,544 --> 00:40:13,945
THERE'S ONLY ONE CONDITION--

869
00:40:13,945 --> 00:40:15,647
BEFORE HE'LL ISSUE
HIS STATEMENT,

870
00:40:15,647 --> 00:40:17,549
HE WANTS TO TALK TO YOU.

871
00:40:17,549 --> 00:40:19,718
[LOCK BUZZES]

872
00:40:27,392 --> 00:40:31,463
WHEN I WAS IN REHAB,
THEY CALLED ME

873
00:40:31,463 --> 00:40:37,703
A TEXTBOOK EXAMPLE OF
COURAGE, WILLPOWER.

874
00:40:39,304 --> 00:40:46,411
NOBODY COULD BELIEVE THAT
A MAN LIKE NEAL GREYBRIDGE--

875
00:40:46,411 --> 00:40:49,581
QUIET LITTLE
NEAL GREYBRIDGE--

876
00:40:49,581 --> 00:40:53,585
COULD LOOK A MEDICAL
IMPOSSIBILITY IN THE FACE

877
00:40:53,585 --> 00:40:57,055
AND THEN STEP
ON ITS THROAT.

878
00:41:00,058 --> 00:41:02,027
OF COURSE, WHAT THEY
DIDN'T UNDERSTAND WAS

879
00:41:02,027 --> 00:41:07,432
THAT NEAL GREYBRIDGE
COULDN'T EVEN MAKE IT

880
00:41:07,432 --> 00:41:09,100
OUT OF HIS HOSPITAL BED.

881
00:41:10,969 --> 00:41:13,905
HUH.

882
00:41:13,905 --> 00:41:17,342
IT TAKES AN INCREDIBLE
SENSE OF PURPOSE

883
00:41:17,342 --> 00:41:19,811
TO ACHIEVE A MIRACLE
LIKE THAT.

884
00:41:19,811 --> 00:41:23,181
AND THE PART THAT
I SHOWED THE WORLD,

885
00:41:23,181 --> 00:41:28,219
THE PART THAT EVERYBODY
KNEW AS NEAL GREYBRIDGE--

886
00:41:30,455 --> 00:41:33,091
HE DIDN'T HAVE
THAT SENSE OF PURPOSE.

887
00:41:34,459 --> 00:41:40,498
NO. THE MAN THAT HAD
THE STRENGTH

888
00:41:40,498 --> 00:41:43,635
AND THE COURAGE

889
00:41:43,635 --> 00:41:48,907
TO GET OUT OF BED
AND WALK AGAIN...

890
00:41:51,977 --> 00:41:57,115
THAT MAN IS A PART
THAT I KEPT SECRET.

891
00:42:00,318 --> 00:42:01,820
IT'S A PART

892
00:42:01,820 --> 00:42:03,655
THAT STILL HAD WORK TO DO.

893
00:42:03,655 --> 00:42:06,725
IT'S A PART THAT HAD
TO GET OUT OF BED

894
00:42:06,725 --> 00:42:11,229
AND HAD TO STAND AGAIN
AND WALK AGAIN.

895
00:42:12,664 --> 00:42:14,265
IF YOU SAY SO.

896
00:42:16,668 --> 00:42:19,137
WHY ARE YOU
TELLING ME THIS?

897
00:42:20,672 --> 00:42:24,142
BECAUSE YOU ARE
THE ONLY PERSON

898
00:42:24,142 --> 00:42:29,881
THAT'S EVER ACTUALLY SEEN
THAT PART OF ME AND LIVED.

899
00:42:35,153 --> 00:42:39,290
NOW THAT YOU KNOW EVERYTHING
ABOUT ME, I'M CURIOUS.

900
00:42:41,960 --> 00:42:45,563
DO YOU SEE ME THE SAME
WAY THAT I SEE MYSELF?

901
00:42:47,232 --> 00:42:50,736
I SEE AN EGOIST,

902
00:42:50,736 --> 00:42:53,839
SELF-CENTERED,
SELF-INVOLVED...

903
00:42:55,707 --> 00:43:00,612
A MURDERER,
COWARDLY MURDERER...

904
00:43:02,380 --> 00:43:04,015
A WASTE.

905
00:43:05,550 --> 00:43:06,718
[SCOFFS]

906
00:43:06,718 --> 00:43:08,720
WILL THERE BE
ANYTHING ELSE?

907
00:43:08,720 --> 00:43:10,922
[DOOR LOCK BUZZES]


